205)Cults/Cults: Hyundai focus group indie. Pitchfork Pomplamoose. Glockenspiels.#2.5
204)400 Blows/Sickness And Health: An uneasy Devo-gone-hardcore tautness was always their strongest suit, and it’s on full display.#7
203)Altar Of Plagues/Mammal: Eighteen-minute black metal epics cross lines between hypnotic and endless.#6.5
202)Elzhi/Elmatic: Masterful Detroit MC hopscotches, skips, jumps all over your favorite record.#8
201)White Hills/Hp-1: Psych-rrawwk cosmonauts aren’t floating in space but dying in space.#7.5
200)Mark Deutrom/The Value Of Decay: Ex-Melvins bassist makes tripnotic toybox sludge.#8
199)The Men/Leave Home: Triumphantly pigfucking the age of No Age.#8.5
198)Mamuthones/Mamuthones: The Art Ensemble of Italian Cryptkeepers.#6.5
197)A Lull/Confetti: AnCo, Sufjan, MGMT, Temp Res, pretty much everything else.#5
196)Looking For An Answer/Eterna Treblinka: Spanish grindcore band with the moistest, most spittle-crazy, Daffy Duckest pblt pblt pblt.#6.5
195)Kurt Vile/Smoke Ring For My Halo: If Springsteen never dropped out of college and then smoked weed through all four years.#6
194)Khann/Erode: Rocketship hardcore, Kylesa as cavemen.#6.5
193)Jonas Reinhardt/Music For The Tactile Dome: John Carpenter’s Escape To Nowhere.#6
192)J-Rocc/Some Cold Rock Stuf: CD packaging of the year!#6
191)Israel Martínez/El Hombre Que Se Sofoca: The slow smearing of life’s subway and helicopter hums into evocative noise.#8
190)Echtra/Paragate: Acoustic-tempered doom rides a drone to nowhere.#6
189)Killer Mike/Pl3dge: Pretty much what David Banner should have done after Mississippi: The Album. Thanks for picking up the slack.#8
188)Random Axe/Random Axe: This > Slaughterhouse.#7
187)Helms Alee/Weatherhead: Harmony-rich cuddle-sludge goes big.#7.5
186)Bon Iver/Bon Iver: The Pitchfork generation’s Bruce Hornsby.#6
185)Colin Stetson/New History Warfare Vol. 2: Judges: Amazing doom-honk, swirly Reich flutter, questionable Laurie interludes.#6.5
184)Chris Brown/F.A.M.E.: No one cares that you have famous friends, asshole.#4
183)Big Business/Quartet Single: Seventeen minutes of their finest sludgy splatterjoy.#8
182)Asva/Presence Of Absences: Ritual doom band hits some pretty nauseatingly fantastic lows.#7
181)Boubacar Traoré/Mali Denhou: Bluesy Malian veteran aims for the slow and serene.#7
180)Thurston Moore/Demolished Thoughts: A pastoral game of ‘who’s copying who?’#6.5
179)Ty Segall/Goodbye Bread: Marcy Playground’s “I Am The Walrus.”#7
178)Weekend Nachos/Worthless: Relentless nu-powerviolence where the highlight is actually the void-staring feedback breakdowns.#7
177)Wild Beasts/Smother: Antony without the chops, Grizzly Bear without the textures, indie rock without the rock. Totally lifeless.#1.5
176)Across Tundras/Sage: The inevitable, tumbleweed-ready Cormac McCarthy metal band.#7
175)Com Truise/Galactic Melt: Perpetually vogue Tron-era chillage synths at least get a Warp records chop-and-blip makeover.#6
174)Akron/Family/S/T II: The Cosmic Birth And Journey Of Shinju TNT: Art-beardos equally adept at a softer side.#7
173)Cave In/White Silence: Returning from hiatus and an embarrassing major label run by becoming the genre-hopping Ween of Hydra Head.#6
172)Bass Drum Of Death/GB City: Bro Age.#4
171)Black Eagle Child/Lobelia: Pastoral guitar clouds like Mark McGuire not itching to tug your nostalgia cords.#7.5
170)Razika/Program 91/All-girl teenage jangle/J-pop/post-punk band is way to gifted to be faking naivete.#5.5
169)The Caretaker/An Empty Bliss Beyond The World: Vinyl crackle sound drifts as misremembered memories, dark rituals, meditations.#7
168)Unknown Mortal Orchestra/Unknown Mortal Orchestra: The Breakestra for the James Pants illwave era.#7
167)Alvarius B./Baroque Primitiva: Lo-fi, sleepy, tape-hissy Morricone from a Sun City Girl. He works better with a production budget.#5.5
166)Dominik Eulberg/Diorama: Airy techno rolls around in the park.#6.5
165)13 & God/Own Your Ghost: Themselves as their most Themselves, Notwist as their most Notwist.#6.5
164)Eternal Tapestry/Beyond The 4th Door: Shooting for Cluster, but just weed-caked enough to be third tier Ecstatic Peace circa 2007.#5
163)Rene Hell/The Terminal Symphony: Wildly diverse drone suite moves with sprightly abandon and begs for a string quartet revision.#7.5
162)Weedeater/Jason… The Dragon: A giant squid swimming through an oil slick.#7
161)Wooden Shjips/West: Raw Power groovonauts get a little sunlight.#7
160)USX/The Valley Path: Neurosis endless.#6
159)Malachai/Ugly Side Of Love: The bedroom Gnarls Barkley of spending too much time getting the right vinyl crackle noise.#5.5
158)Dope Body/Nupping: Abrasive noise-punk band fearlessly dicking with funk and ska, for better or worse.#7
157)The Lonely Island/Turtleneck & Chain: Still masters of Spinal Tappian detail, but just a little unnecessarily NC-17 this time.#7
156)Kendrick Lamar, Jay Rock, Ab-Soul & Schoolboy Q/Black Hippy: Intense ciphers are Cali electric, with no relaxation.#7.5
155)Jesu/Ascension: Low as metal band; instead of sucker-punches, Justin Broadrick’s guitars now chime like church bells.#7.5
154)Dels/Gob: An line between pixellated indie rock and weirdo art-rap that really shines when stretching chiptune noise like taffy.#6.5
153)Horseback/Forbidden Planet: Gorgeous tangerine nightmares huddle for warmth under black metal’s northern sky.#9
152)EMA/Past Life Martyred Saints: Self-help drone; burnt symphonies for remembering your fuck-ups and bravely making new ones.#8
151)Lady Gaga/Born This Way: Ga Ga La La Ba Ba Ba Ba Ga Ga Ha Ha Ha *sax solo*.#7.5
150)Waka Flocka Flame/Salute Me Or Shoot Me 3: Too many mixtape drops and half-baked choruses distract from his more appealing chaos.#4.5
149)Vieux Farka Toure/The Secret: One of Mali’s best playing alongside America’s most granola.#6
148)Tity Boi/Codiene Cowboy: Atlanta loudmouth conjures Jeezy’s best lines and Gucci’s cringeyest.#7
147)Fucked Up/David Comes To Life: The real Suburbs.#8.5
146)Lupe Fiasco/Lasers: “I’m an ambulance! And a fire truck!”#3
145)Guðmundur Steinn Gunnarsson/Horpma: Wild new composer tricks orchestra into making Icelandic water torture.#7
144)E-40/Revenue Retrievin’: Overtime Shift: But this one has the best two slaps (“Beastin’,” “I Am Your”).#7.5
143)E-40/Revenue Retrievin’: Graveyard Shift: The most cohesive of the series boasts haunted-house atmospherics and excruciating details.#8
142)Dustin O’Halloran/Lumiere: Sluggish and lugubrious Berlin pianist; where atmospheric turns into dull.#5
141)Brotha Lynch Hung/Coathanga Strangla: Horrorcore veterans spend a little too much time making the creepiest skits imaginable.#6
140)Lobi Traoré/Bwati Kono: A live document of a fallen Malian guitar hero where rhythms often speak the loudest.#7
139)Wiz Khalifa/Rolling Papers: A sunny, funkyish A.R. Kane record ruined by raps devoid of any personality.#4
138)Saigon/The Greatest Story Never Told: An occasionally meandering post-Roc-A-Fella grab bag that’s serviceable in 2007 or 2011.#6
137)Sanso-Xtro/Fountain Fountain Joyous Mountain: Happy rattles, chiming toys.#6.5
136)Zombi/Escape Velocity: Italo-prog ghosts chase dance floor reanimation.#7
135)Tyler, The Creator: Goblin: Yes I am, no I’m not. Yes I am, no I’m not. Yes I am, no I’m not. Yes I am, no I’m not.#7.5
134)Cam’ron & Vado/Gunz N’ Butta: Vado steps up his game, Cam rests on his laurels, and you can’t hate 16 consistent tracks in 2011.#7.5
133)Blueprint/Adventures In Counter-Culture: One of indie-rap’s swellest, most passionate everymen gets a little lost in the club.#6
132)Berner/The White Album: One of the years strongest supporting casts can’t elevate rapping this lifeless.#4
131)Blanck Mass/Blanck Mass: A Fuck Button masters the uplifting, charred drone; creates spiritual lightning sans dancefloor thunder.#8.5
130)Beastie Boys/Hot Sauce Committee Part 2: Check Your Head, protect your neck, hoard your Rammellzee 12-inches.#7
129)Barn Owl/Void And Devotion: Tumbleweed drone.#7.5
128)Group Doueh/Zayna Jumma: Saharan guitar blusterers rebrand as a rock group, discover fabulous new worlds of trance and power.#7.5
127)Philippe Petit & Vultures Quartet/Tourbillon d’Obscurité: Saw VIII gorenoise with five guys providing creepy drips, drops and crashes.#7
126)Gates Of Slumber/The Wretch: Torturedoom walks line between goofy, anthemic, anthemically goofy, goofily anthemic—so, ultimately, fun.#7
125)Del The Funky Homosapien/Golden Era: The rap version of a Zappa triple-vinyl guitar solo.#6
124)Battles/Gloss Drop: The loss of their demented melodic counterpoint is assuredly felt,though bubblegoop grooves still deliver.#6
123) TK
122)Pulseprogramming/Charade Is Gold: Blissful masters of floaty electronics get a kinda-nauseous case of the Ian Curtis Mondays.#5.5
121)Big K.R.I.T./Return Of 4Eva: International Players Anything and Everything; and still somehow his most cohesive.#8
120)Shabazz Palaces/Black Up: Rapper/producer simply masters some smoky, aching, heartbreaky fidget-dub thing; kills witch house dead.#8
119)Matthew Cooper/Some Days Are Better Than Others: The Eluvium goosebump machine sculpting with simpler materials.#7.5
118)Tennis/Cape Dory: Fifth-generation twee barely given its requisite, contemporary mushwave makeunder. Insipid.#2.5
117)True Widow/As High As The Highest Heavens And From The Circumference Of The Earth: “Stoner Babes (Winter Version).” #6
116)Plan B/The Defamation Of Strickland Banks: The white Jamie Lidell.#3.5
115)Mountains/Air Museum: A fluffy and rejuvenating spiral of earthly and cosmic vibrations.#8
114)DJ Quik/The Book of David: Era-less mix of baroque ’80s roller jams, velvety ’90s slow-rides, contemporary Dam-Funk swooshwave.#7.5
113)Pharoah Monche/W.A.R. (We Are Renegades): His loopy, impossible flows dead-ended by Landspeed Records-meets-Puffy’s “Victory” beats.#6
112)Max B/Vigilante Season: A Harlem MC with a bent melodic swagger that’s equal parts St. Louis, Houston and Los Angeles.#7
111)Kreidler/Tank: Longstanding German avant-dance crew want you to feel the noize and/or some amphitheater-ready drum sounds.#6.5
110)Gridlink/Orphan: 12 minutes of serviceable, very precise, almost hospital-floor-clean grindcore.#6.5
109)Errors/Come Down With Me: A reverse Fuck Button, stapling frayed loft-show dance-punk to club-ready broken-house.#7
108/Daily Life/Necessary And Pathetic: The bottom of the Joy Division barrel scraped, amplified.#3
107)Francisco Lopez/Untitled #224: Slowly-evolving quakescapes with sinister crackles and downright bottomless doom-rumble.#7
106)Bee Mask/Canzoni Dal Laboratorio Del Silenzio Cosmico: Post-Emeralds neo-komische playing with a broader, scarier palette.#7
105)Panda Bear/Tomboy: Mushily mastering well-mastered mush.#7.5
104)Foo Fighters/Wasting Light: As bold and brassy and hook-laden and mean as 2010 can get for ’90 alt-rock throwback and QOTSA worship.#7.5
103)Fabric/A Sort Of Radiance: Emeralds-style drone that’s certainly a lovely nostalgiadrift, but maybe not as expansive as it purports.#6.5
102)Ducktails/III: Arcade Dynamics: Bounding with languid, syrupy moods (see “Little Window”), but that shouldn’t be confused for songs.#3
101)Stephan Mathieu/A Static Place: Drone that’s plaintive-yet-heavenly. Not a snowflake, but the sun that shines through one.#7.5
100)Burmese/Lun Yurn: Pig-fuck misanthropy and/or agony as splatter painting and/or hatefuck.#7.5
99)Jackie-O Motherfucker/Earth Sound System: Krautfolk sprawl and Marclay-scribbles-as-raga.#7
98)Lykke Li/Wounded Rhymes: Vaguely retro alterna-things that sound evocative but aren’t (i.e, “Like a shotgun needs an outcome”?)#4.5
97)The Strokes/Angles: Like MGMT trying to get laid, or the Cars reunion not trying very hard at anything.#2
96)TV On The Radio/Nine Types Of Light: Wherein the dancey stuff you disliked on “Dear Science” becomes their most formidable weapon.#6.5
95)Shinji Masuko/Woven Music: Heart-stopping Boredoms backing tracks as frenetic-yet-airy drone-jazz.#7.5
94)Ponytail/Do Whatever You Want All The Time: Their trickiest rhythms yet to soundtrack a neon food fight.#7.5
93)Ford & Lopatin/Channel Pressure: The misremembered hip-to-be-square ’80s as glitch-pop suicide pact.#3
92)Jason Forrest/The Everything: Sample clusterfucker proves himself to be masterful with suspense instead of abandon.#7.5
91)Times New Viking/Dancer Enquired: Nailing the Vaselines hooks, not exactly convincing with the Vaselines naivete.#6
90)Young Dro/Equestrian Dro: His better-than-T.I. syllable stretching at its absolute best meets mostly flat mixtape beats.#6.5
89)Young L/Domo-Kun: The Mixtape: Half completely perfect Vans-wrecking pavement shredders, half so-so N.E.R.D. worship.#6.5
88)Boris/Attention Please: Icy rhythms, smoky moods, slinking murkily alongside the sulk-dance of the XX, only tangentially metal.#8
87)Boris/Heavy Rocks: Acid sludge, Blue Öyster pöp billowing fluffily from the dreamy doom factory they constructed for “Pink.”#7
86)SMM: Context: Brilliantly curated mix of 11 wildly diverse sound artists—ironically not the best flow, but something will surely click.#7
85)The Weeknd/House Of Balloons: A reason to learn the difference between “affect” and “effect.”#6
84)Young Widows/In And Out Of Youth And Lightness: In hardcore, working smarter doesn’t always mean working better.#5.5
83)Trap Them/Darker Handcraft: A new breed of alterna-heavy, but hard in but one color of the paint.#6.5
82)Skull Defekts/Peer Amid: With Daniel Higgs in tow, it’s two aggro-bliss legends-in-the-making who can’t find common footing.#5.5
81)Moon Duo/Mazes: Tom Petty’s Full Moon Fever as endless bedroom psych.#7
80)Dead Rider/The Raw Dents: It took 45 years, but someone finally make Captain Beefheart sexy.#7
79)Ken Mode/Venerable: Melvins riffs, Oxbow flex.#7
78)R.E.M./Collapse Into Now: Hey, kids.#6.5
77)Gang Gang Dance/Eye Contact: Getting better in touch with trance and their Sublime Frequencies collections.#7
76)Buck 65/20 Odd Years: A two-decade OK Cupid profile currently buzzing on Steady B, Emily Haines, Serge Gainsbourg and zombie flicks.#6.5
75)Melvins/Sugar Daddy Live: Welcome to a new kind of tension; the hands-down best live album from a band that has 10 of them.#8
74)Trae Tha Truth/48 Hours – All Freestyles: Dizzying, syrup-soaked wobble buoys utilitarian raps.#7
73)Red Fang/Murder The Mountains: One melody day away from Big Business black bubblegum, but still too toothy.#6.5
72)Frank Ocean/Nostalgia/Ultra: Love in the time of Coachella.#7
71)Cold Cave/Cherish The Light Years: A cold wave gets a warm front, embraces shiny shiny new romanticism instead of the chilly willies.#6.5
70)Bloodiest/Descent: Expansive psych sludge goes for The Body bigness, Cough weirdness.#6.5
69)Bibio/Mind Bokeh: Gifted soundscapist flies to close to Flying Lotus and does Free Energy-style bad Thin Lizzy too.#3
68)Britney Spears/Femme Fatale: A few moments of transcendent robo-silliness overshadowed by Ke$ha trashgags, sub-Uffie pick-up sleaze.#5.5
67)Hauschka/Salon Des Amateurs: Get on the floor and do the funky Philip Glass.#8
66)Anni Ross/Heavy Meadow: Nu-twee with smarter melodies, bolder textures, no fake shyness.#6.5
65)Alexander Tucker/Dorwytch: “Blackbird” and “Revolution 9,” together at last.#7.5
64)Adele/21: Yes more drama. Winehouse via X-Factor with the occasional towering arrangement.#6.5
63)Low/C’mon: A very complicated Cracker record with an explosive third act.#7
62)tUnE-yArDs/w h o k i l l: Funky odes to the funkless.#5.5
61)COH/IIRON: Acid-bathed guitar/electronic peak-out crumble like Ministry without the beats.#7
60)Raekwon/Shaolin Vs. Wu-Tang: Kill Bill, Volume Zero.#7
59)So Percussion/Threads: Chiming, Reich-style Tinkertoy compositions with an itchy punker’s busy hands.#7
58)The Psychic Paramount/II: Laser-guided build-and-explode math-psych art-sludge and/or math-sludge art-psych.#8.5
57)Isolée/Well Spent Youth: A darker and dubbier turn peels the quirk (and some of the life) from a microhouse titan.#6.5
56)James Blake/James Black: Melodramatic vocals masked in irony by histrionic technology. Wack dubstep, wack R&B, wack Antony, OK glitch.#3
55)Implodes/Black Earth: Academic Deerhunter potgaze wooshers have more pedals than hooks.#6
54)Liturgy/Aesthethica: Black-metal Brancas grow up to be math-metal Stravinskys.#8.5
53)Gunplay/Inglorious Bastard: Rick Ross and Waka Flocka, nine months later.#7.5
52)The Game/Purp & Patron: The Hangover: The sound of one man being assured and over-eager all at once.#7
51)Fiend/International Jones: Tennis Shoes And Tuxedos: Legend makes smoothest possible transition into Curren$y-style haze-and-flow.#7
50)The Evolution Control Committee/All Rights Reserved: Sample snark-kings return with hackier jokes, preachier conceits, nerdcore lols.#5
49)Cultus Sabbati/Garden Of Forking Ways: A sucking jet engine that stares into the black metal void and the power electronics mirror.#8
48)OvO/Cor Cordium: Italo noise/metal/jazzers go a little more free and mean, like Seijaku without a leash.#6.5
47)Radiohead/The King Of Limbs: Autechre as the world’s drabbest psych band.#5.5
46)Grayceon/All We Destroy: An sultry, extreme metal rewrite of Alice In Chain’s Facelift-into-Sap transformation.#7.5
45)Smith Westerns/Dye It Blonde: The emperors no longer wearing their lo-fi cloaks.#5.5
44)Grails/Deep Politics: Chiming post-metallers get all dusty Morricone, but briefly stop in Mali too. The good, the bad and the Isis.#8
43)People Like Us/Welcome Abroad: Plunderphonics as nauseous fever delirium.#7
42)Bill Orcutt/A New Way To Pay Old Debts: No-fi spazz-folk, Fahey via Load Records, like looking into a hailstorm.#7
41)Caroline/Verdugo Hills: More of her radiant glitch-pop flutters off.#6
40)Toro Y Moi/Underneath The Pine: Sunshine sleepytime. Even the tambourine sounds half-assed.#4.5
39)Cut Copy/Zonoscope: Bleating clubbo Braysayer.#5
38)Windmills By The Ocean/II: Yes, the umpteenth shoegaze-metal band, but possibly the one that understands shoegaze the best.#7
37)Deaf Center/Owl Splinters: Perfectly foreboding Lynchian piano doom.#7.5
36)Thank You/Golden Worry: Baltimore punks are certainly Ecstatic, slightly lacking in Sunshine.#6
35)PJ Harvey/Let England Shake: Trip-hop Melanie plays hide and seek.#7
34)Æthenor/En Form For Blå: Art Ensemble Of Hell doom-jazz that’s mostly cheap scares and ghost rattles.#6
33)Wino/Adrift: Like a Steve Von Till album with no grasp of subtlety.#3
32)Wire/Red Barked Tree: All the melody, none of the bite; a warm journey back to the overproduced ’80s Wire records you never listen to.#5
31)Nicholas Jaar/Space Is Only Noise: Teenage electronic symphonies to anguish and cold realities.#8
30)A Hawk And A Hacksaw/Cervantine: More Balkan flurries with a nu-indie sense of of atmosphere.#7
29)Tim Hecker/Ravedeath, 1972: His unparalleled sucking hugfuzz finds room for euphoric stutter-trance and frosty subterranean doom.#9
28)Ghost/Opus Eponymous: Satanic thrillwave bubblegum for Mystery Machines, Haunted Mansions and Spider Babies.#9
27)Monotonix/Not Yet: Love you live.#4
26)Esben & The Witch/Violet Cries: The beatsmarter, extroverted, noisnik, gang-gang-chance reversion of The XX.#7
25)Electric Wizard/Black Masses: Still masters of mountain lightning, feel-good witchery, ganja gutpunch—just more muffled and amiable.#7.5
24)Gang Of Four/Content: You win this round, Red Hot Chili Peppers.#3.5
23)Disappears/Guider: Deerhunter in reverse.#6.5
22)The Dirtbombs/Party Store: Clinical Detroit techno classics played like sloppy garage fuzzfuck—misses point, stumbles across beauty.#7.5
21)Broken Records/Let Me Come Home: All those gleaming Arcade Fire hooks with none of the (over-?)ambition.#6.5
20)Bird Names/Metabolism: A Salute to the Energy of the Sun: Bumblefuck beach-brat Beefheart.#5
19)Belong/Common Era: Warm fuzz, chilly beats, increasingly like School Of Seven Bells with an attitude problem.#6
18)Ballaké Sissoko & Vincent Segal/Chamber Music: Kora and cello make rare world-fusion that’s somber, fragile, understated, ambient.#8
17)Sidi Touré/Sahel Folk: Relatively raw recording of Malian bluesman reveals perfect imperfections.#7.5
16)Roach Gigz/Roachy Balboa 2: Same vivid everydude narration as part one—but where’d the slaps go?#6
15)Lumerians/Transmalinnia: Heavy-kraut, endless boogie, quasi-metal masked men; a questionably cool blitzkrieg on vinyl nerds.#6.5
14)Mouse On Tha Track/Swagga Fresh Freddie: Unbelievably funky Louisiana producer gives some props to Mannie Fresh, deserves some back.#8
13)Juicy J & Lex Luger/Rubba Band Business: Twin titans of monolithic hip-hop do it in all caps, boldfaced and underlined.#7.5
12)Gucci Mane/Gucci 2 Time: Usually pyrotechnic rapper starts blurring the line between laconic and lazy.#5.5
11)G-Side/The ONE… COHESIVE: Alabama rappers grind on the internet, finally live the dream of rapping about grinding on the internet.#6.5
10)Rabbits/Lower Forms: Portland noizefuck crew shoots for AmRep, ends up as rotten Karp.#7.5
9)Fergus & Geronimo/Unlearn: Raspy, garage&B/Zappa doo-wop grab-bag that’s annoyingly self-referential as an R. Kelly song.#5
8)DOM/Sun Bronzed Greek Gods: A magical summer where even the 90-pound-weaklings sing into the sand.#4
7)Deerhoof/Deerhoof Vs Evil: Tireless spazzers ultimately work backwards from Trout Mask Replica to Safe As Milk.#6
6)Yuck/Yuck: Gold soundz, extra golden.#7
5)La Sera/La Sera: Vivian Girl cooks up their umpteenth reverb-and-harmony side project. This time: Spector Pixies.#6
4)Earth/Angels of Darkness, Demons Of Light 1: The sun shines on the loneliest dude ranch.#6.5
3)Paris Suit Yourself/My Main Shitstain: Saul Williams for cubists, Public Image Limited for crate-diggers.#6
2)The Ex/Catch My Shoe: Acute post-punkers fully absorb and internalize those pulsing Congotronics rhythms—and other ones too.#7
1)Mogwai/Hardcore Will Never Die, But You Will: Surfing on a riff rocket forever and ever and ever.#6
